Sunday, October 20, 2013


CAN YOU BELIEVE THEY INTERVIEWED ME ?

Page to Page Interview

            Thank you for joining us for an author interview. We have created a range of questions from your work, to some a little more personal, so that your current and future readers can become more familiar with you.

A Little on the Personal Side: 

·        What types of books do you read?

I read what I write—hardboiled crime novels. Just finished BUTCHERS MOON by Richard Stark (the late Donald Westlake), and before that two Sunny Randall novels by Robert B Parker. I’ve read most of them from Lee Child to Lawrence Block plus the masters, Chandler, Hammett, to paperback originals from John D. and Richard Prather. I have read literary types from Hemingway, Somerset Maugham, John Steinbeck, back to Dickens, Victor Hugo, Herman Melville and my pal Bill Shakespeare. I do like diversion occasionally and my next book to read is about the first man ever to ride around the world on a motorcycle, in 1912, aboard a 1912 Henderson, written by my good friend, Dr. Gregory Frazier, who himself has ridden five times around the world and has more than a million miles on different motorcycles. I only have a few hundred thousand miles on my motorcycles.

 

·        What do you love most about writing? What do you not like?

I love the routine of looking forward to it. I write early mornings so when I wake, just before climbing out of the rack, I churn in my mind what I’ll be writing. It’s hard to begin a novel but once into it, I look forward to creating characters and scenes every day. When on a book, I write five to six hours a day, seven days a week. My “office” is the dinette table aboard my sloop where I live. What I do not like is easy: publicity and marketing. I dislike every part of it, it’s like peddling my books as if they were vacuum cleaners. Even though I know it’s necessary because publishers don’t do that anymore, it still makes me uncomfortable because I’m an introvert. Friends and family often accuse me of being a hermit, squirreled away in the dark cabin of my little sail boat ticking away on laptop keys.  

 

·        When you are not writing where can you be found?

I can be found in used bookstores (can’t afford new), although I do have a Kindle. Or sailing, maybe for a day sail if I can scare up a feminine friend or over ocean swells to Catalina Island for a weekend of fishing and snorkeling with or without feminine friends, or in my boat cockpit reading, or gold prospecting in Arizona and Nevada, or riding my dual purpose motorcycle, either on the highway or along fire trails and mountain roads in search of gold, or in a movie theater watching a film, usually alone because I like matinees. Or you might find me on a road trip, camping in the back of my Explorer.

 

A Little on the Professional Side: 

 

·        Of all of the characters you have written, which has been your favorite? Why? Least favorite? Why?

Before my novel THE FAREWELL HEIST was released I had another titled CROSSFIRE DIAMONDS. In it is an assassin, Yolanda Smart tall, thin, black, sharp who has become my favorite character because she is cold, calculating and professional besides being beautiful and looking like an African princess. A close second is the young woman from India, Asin Bhandi, in my forthcoming Logan Sand novel, THE CALCCUTTA DRAGON, because she is feminine perfection and knows it, and mentions it. Plus I love my villains. They are hissingly evil and commit detestable acts, the type of dastardly creeps readers love to hate. Me too. But of course my top favorites are my three series leads: Baylor ”Bay” Rumble (four books: BAD GIRL DEAD, BLEEDING SISTERS, CATALINA KILLERS, BAJA BULLETS), Logan Sand (two books: THE CALCUTTA DRAGON, PLUNDERED ANGELS) and Makayla Tuff (writing first book: PILLOW SHOT).

 

·        What is your thought on eBooks being the new way to read?

eBooks are the future but they’re not the end all be all of books. They still don’t take well to color pictures. My Kindle doesn’t have page numbers. They are not as easy to read as books. They host several other undesirable traits. But the biggest danger for eBooks is price. The one looming attraction for them is books are cheap. But I see publishers submitting to their greed by charging $6-$8-$11 and even $13 for books that aren’t special except they come from a hot-shot author through a big name publisher. That will be the demise of eBooks. I have many books stored on my Kindle, including four of my own. I’ve read three books, one after the other. I still prefer books with pages I turn.      

 

·        Who is your ideal reader?

Readership for me is a slog. Because my books are tough and masculine to the point of pulp, most women don’t care for them. Not much display of woman empowerment in them. Since 80% of readers are women, and the majority of books published are a form of Romance, the landscape is kind of barren for my kind of tough crime novels. My ideal readers are men, likely working the hands-on trades. Prisoners like my books. But, with only a portion of a 20% readership, and I just read that 80% of men college graduates never read another book after graduating, and 45% of families don’t read books, it looks like an uphill crawl out there for my kind of books. Why not give in and write what they’re reading? Because I don’t read that stuff, and I don’t write it. Few of us are in this for the money. I live with the reality.  

 

A Little Quick Fire:

 

*When it comes to books*

 

Good Guys or Bad Guys? Bad guys

Fiction or Non-Fiction? Fiction

Handwritten or PC typed? PC typed

Cozy Nook or Outdoors Oasis? Neither. Mean streets and guns.

Happily Ever After or Nail-biter? Nail biter

Writing or Reading? Writing

 

*When it comes to you*

 

Ice Cream or Cake? Neither, too much sugar

Chocolate or Vanilla? Neither, too much sugar

Coffee or Tea? Coffee

Dress Up or Dress Down? Dress down. Onboard, cut-offs and t-shirt.

Barefoot or Shoes?  Usually boat shoes.

Cook or Order Out? Survival cook.

 

Online Presence:



Your Twitter: geo_snyder



Fill in as much or as little of the following as you wish:

Up to 3 of your book titles and their corresponding sell links:

 

1 THE FAREWELL HEIST by George Snyder


 

2 BAJA BULLETS by George Snyder


 

3 CROSSFIRE DIAMONDS  by George Snyder


 

 

 

 

CAN YOU BELIEVE THEY INTERVIEWED ME ?

Page to Page Interview

            Thank you for joining us for an author interview. We have created a range of questions from your work, to some a little more personal, so that your current and future readers can become more familiar with you.

A Little on the Personal Side: 

·        What types of books do you read?

I read what I write—hardboiled crime novels. Just finished BUTCHERS MOON by Richard Stark (the late Donald Westlake), and before that two Sunny Randall novels by Robert B Parker. I’ve read most of them from Lee Child to Lawrence Block plus the masters, Chandler, Hammett, to paperback originals from John D. and Richard Prather. I have read literary types from Hemingway, Somerset Maugham, John Steinbeck, back to Dickens, Victor Hugo, Herman Melville and my pal Bill Shakespeare. I do like diversion occasionally and my next book to read is about the first man ever to ride around the world on a motorcycle, in 1912, aboard a 1912 Henderson, written by my good friend, Dr. Gregory Frazier, who himself has ridden five times around the world and has more than a million miles on different motorcycles. I only have a few hundred thousand miles on my motorcycles.

 

·        What do you love most about writing? What do you not like?

I love the routine of looking forward to it. I write early mornings so when I wake, just before climbing out of the rack, I churn in my mind what I’ll be writing. It’s hard to begin a novel but once into it, I look forward to creating characters and scenes every day. When on a book, I write five to six hours a day, seven days a week. My “office” is the dinette table aboard my sloop where I live. What I do not like is easy: publicity and marketing. I dislike every part of it, it’s like peddling my books as if they were vacuum cleaners. Even though I know it’s necessary because publishers don’t do that anymore, it still makes me uncomfortable because I’m an introvert. Friends and family often accuse me of being a hermit, squirreled away in the dark cabin of my little sail boat ticking away on laptop keys.  

 

·        When you are not writing where can you be found?

I can be found in used bookstores (can’t afford new), although I do have a Kindle. Or sailing, maybe for a day sail if I can scare up a feminine friend or over ocean swells to Catalina Island for a weekend of fishing and snorkeling with or without feminine friends, or in my boat cockpit reading, or gold prospecting in Arizona and Nevada, or riding my dual purpose motorcycle, either on the highway or along fire trails and mountain roads in search of gold, or in a movie theater watching a film, usually alone because I like matinees. Or you might find me on a road trip, camping in the back of my Explorer.

 

A Little on the Professional Side: 

 

·        Of all of the characters you have written, which has been your favorite? Why? Least favorite? Why?

Before my novel THE FAREWELL HEIST was released I had another titled CROSSFIRE DIAMONDS. In it is an assassin, Yolanda Smart tall, thin, black, sharp who has become my favorite character because she is cold, calculating and professional besides being beautiful and looking like an African princess. A close second is the young woman from India, Asin Bhandi, in my forthcoming Logan Sand novel, THE CALCCUTTA DRAGON, because she is feminine perfection and knows it, and mentions it. Plus I love my villains. They are hissingly evil and commit detestable acts, the type of dastardly creeps readers love to hate. Me too. But of course my top favorites are my three series leads: Baylor ”Bay” Rumble (four books: BAD GIRL DEAD, BLEEDING SISTERS, CATALINA KILLERS, BAJA BULLETS), Logan Sand (two books: THE CALCUTTA DRAGON, PLUNDERED ANGELS) and Makayla Tuff (writing first book: PILLOW SHOT).

 

·        What is your thought on eBooks being the new way to read?

eBooks are the future but they’re not the end all be all of books. They still don’t take well to color pictures. My Kindle doesn’t have page numbers. They are not as easy to read as books. They host several other undesirable traits. But the biggest danger for eBooks is price. The one looming attraction for them is books are cheap. But I see publishers submitting to their greed by charging $6-$8-$11 and even $13 for books that aren’t special except they come from a hot-shot author through a big name publisher. That will be the demise of eBooks. I have many books stored on my Kindle, including four of my own. I’ve read three books, one after the other. I still prefer books with pages I turn.      

 

·        Who is your ideal reader?

Readership for me is a slog. Because my books are tough and masculine to the point of pulp, most women don’t care for them. Not much display of woman empowerment in them. Since 80% of readers are women, and the majority of books published are a form of Romance, the landscape is kind of barren for my kind of tough crime novels. My ideal readers are men, likely working the hands-on trades. Prisoners like my books. But, with only a portion of a 20% readership, and I just read that 80% of men college graduates never read another book after graduating, and 45% of families don’t read books, it looks like an uphill crawl out there for my kind of books. Why not give in and write what they’re reading? Because I don’t read that stuff, and I don’t write it. Few of us are in this for the money. I live with the reality.  

 

A Little Quick Fire:

 

*When it comes to books*

 

Good Guys or Bad Guys? Bad guys

Fiction or Non-Fiction? Fiction

Handwritten or PC typed? PC typed

Cozy Nook or Outdoors Oasis? Neither. Mean streets and guns.

Happily Ever After or Nail-biter? Nail biter

Writing or Reading? Writing

 

*When it comes to you*

 

Ice Cream or Cake? Neither, too much sugar

Chocolate or Vanilla? Neither, too much sugar

Coffee or Tea? Coffee

Dress Up or Dress Down? Dress down. Onboard, cut-offs and t-shirt.

Barefoot or Shoes?  Usually boat shoes.

Cook or Order Out? Survival cook.

 

Online Presence:



Your Twitter: geo_snyder



Fill in as much or as little of the following as you wish:

Up to 3 of your book titles and their corresponding sell links:

 

1 THE FAREWELL HEIST by George Snyder


 

2 BAJA BULLETS by George Snyder


 

3 CROSSFIRE DIAMONDS  by George Snyder


 

 

 

 

Wednesday, September 25, 2013


MEET GEORGE SNYDER THE WRITER

 

 

George Snyder

Bio

 

          Started by publishing short stories in men’s magazines and Alfred Hitchcock’s Mystery Magazine. First novel, “The Surfer Killers” published as “Surfside Sex” by Playtime Books (part of Neva Paperbacks) in early sixties. With Merit and Award books and through promoter Lyle Kenyon Engel, wrote seven Nick Carter spy/adventure screw and kill books. One book, “The Defector” went into three printings and was translated into French and Japanese. And as Patrick Morgan, wrote ten spy/thrillers in the Operation Hang Ten series with titles like, “Hang Dead Hawaiian Style”(translated into French and Japanese), “Cute and Deadly Surf Twins”, “Deadly Group Down Under” “Too Mini Murders” etc. As Ray Stanley, wrote “The Hippy Cult Murders,” loosely based on Charles Manson.

          Cruising under sail, made a solo voyage from Seattle to Alaska and return, and spent a year sail-exploring the Sea of Cortez, Mexico. Characters met during that cruise were chronicled in “Baja Sailor Tales.” Hold an Advanced Open Ocean scuba certification and have motorcycle toured over 250,000 miles. Served in the U.S. Navy as a jet fighter mechanic aboard aircraft carriers moving through the Far East.

With a work resume that reads like the yellow pages of a phone book, have been delivery truck driver, newspaper stuffer, door-to-door vacuum cleaner salesman, gas station attendant, machinist, sailor, motorcycle mechanic, bowling alley pin setter, box boy, ship cook’s helper, deck hand, retail clerk and manager, sporting goods and auto parts salesman, fishing vessel crew, lumberjack, shipyard welder, missile assembler, riveter, drill press operator, metal plater, phone installer, postal clerk and carrier, industrial safety engineer, facilities engineer, assembly lead man, machine parts planner, material review board rep, research and development engineer, composite laminate engineer, apartment maintenance construction worker, missile heat shield lay-up assembler, helicopter rework/modification planner, Navy jet fighter mechanic, sheet metal worker, salvage scuba diver, yacht racing navigator, aircraft technical writer, hydraulic systems designer, security guard, prospector, retail hardware associate, treasure hunter, auto driving instructor, editor, publisher, auto racing journalist, yacht designer, boat builder, travel writer and novelist. Retired at 55 as Senior Editor of Technical Publications from McDonnell-Douglas (Boeing).

          In the late seventies, wrote a sci-fi Romance “Beyond Gender Wars,” eventually published as eBook by Extasy Publishing in 2010. Self-published three books in Baylor Rumble series, “Bad Girl Dead,” “Bleeding Sisters,” “Catalina Killers,” as well as non-fiction book, “Making it on Social Security” and two memoirs, “The $900 Honda” and “Roar and Thunder.” In 2011 connected with BooksForABuck Publishing that published “Satin Shorts,” and 2012 “The Crossfire Diamonds.” Also in 2012 received an award from the Southwestern Writers Conference, Albuquerque in the mystery/detective/thriller category for crime novel, “The Farewell Heist,” published by BooksForABuck in July 2013. Solstice Publishing brought out the eBook of #4 in the Baylor Rumble crime novel series, “Baja Bullets” and in 2013 the printed version.

In 2013 launched new, Logan Sand hardboiled crime series. The first novel, “The Calcutta Dragon” and second, “Plundered Angels” are now complete. In May, 2013 signed contract with television media production company Villavision for a 24 month film option on “Baja Bullets.”   

Presently writing first draft in series for kick-ass gal Private Eye, Makayla Tuff: “Pillow Shot.”

Thanks for your interest.

George Snyder






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Tuesday, September 3, 2013


 

 

FINISH THAT FIRST DRAFT

 

It’s done. Complete. Just typed: END.  That’s 81,000 words of work over with. My second Logan Sand crime novel is finished. Book number thirty-two has been racked up.

At least the first draft.

Never mind that it is lumpy with flaws. Scenes must be added to. Scenes must have deletions. Characters have to be fleshed out. Chronological sequences might need to be altered. The first editing has to be done. Then it will be run through your critique group then another edit. Read it through, carefully, end to end, each word, sentence, paragraph, page. Do a final edit.

It is terrible now. It stinks. You can’t approach it without a spray can of room freshener. Some pages read like a grammar school essay. Other pages are loaded with clichés. How did you get through it all?

Every morning, from four or five until noon you hacked away at it. Some days you left the computer with as many as fifteen completed pages. Other days you spent the whole morning staring at the computer screen. What Hemingway called long periods of thinking, short periods of writing, and you walked away with one paragraph—or less. Anything over three pages was a good morning’s work. Five pages were so satisfying they made you friendly with the outside world. You even smiled during the day.

You hit a wall at page 280. It’s always between 270 and 280. No reason for it either. You knew what was going to happen, you had it right there in your outline. The next scene was planted in your mind. The scene was there but the words to describe it lay hidden somewhere between the new balancer for the motorcycle, the stiff clutch in the Explorer and the needed sail for the boat. Each time you reached for the words other images cluttered the air.

Luckily you didn’t fall in love writing this one. All you’d need are thoughts of a woman pulling at your heart. 

The block was there but you made yourself sit in front of the computer anyway. Morning after morning—one sentence—another. One day—another. The back of your head kept saying, “Good job, boy. Whew! That sentence was tough. Time to knock off. Look, it’s almost noon. Come on, one sentence is enough for today. You’ll get more tomorrow. There’s always tomorrow.”

Word by agonizing word, sentence by sentence, the block crumbles and you can move on with the story. Story? What story? You dare to call this stinking mutilation of English grammar a story? Well, there are some mornings you smile and think maybe that part wasn’t half bad. You really do want to know what happens next.

Lingering in the background is always the doubt. Who do you think you are? Anybody who writes a shopping list thinks they can write a book. And just look at what you write. Any hack with half the talent can churn out this junk. You sit here day after day. This isn’t the kind of writing you originally intended, you’re not the kind of writer you thought you’d be, where you thought you’d be. Yet, you keep doing it, book after book. Who do you think you are?

Even if the novel gets finished, so what? Women won’t like it because it’s too tough. Men don’t read. It’ll languish in anonymity like the thousands of other books out there. Nobody can read all the books available. Why would they read yours? Why don’t you just quit? Admit the book stinks. Toss it and go for a sail. That’s more fun. Or find a woman to share dinner with. The company of a woman is much more fun.  Almost anything else you can think of is more fun. There’s sure no fun in this. It’s only that obsessive affliction you carry that makes you continue through this nonsense.

But you know you can’t seriously pass judgment until you have something to judge. You can’t say the book is lousy, you can’t say it’s good.

You can’t say anything about it until it’s finished.

And there is the answer. Ideas are a nickel a boxcar load. Ideas mean nothing until they are acted on and completed. Air around the globe is crowded with incomplete ideas colliding into each other, worthless. Your completed book might be brilliant. Or it might be less than brilliant. Or it might be not bad. The book is nothing until it is done. It doesn’t exist. It is invisible. It can’t be judged because it isn’t there.

On days you walk away with good pages you think might mean something, you think: Maybe when it’s done it might be…

And get it done. Today. 6:30 this morning. The End.

George Snyder
freelancer66@earthlink.net
Blog: http://onewriterconnection.blogspot.com
Web: http://www/georgesnyderweb.blogspot.com
Web: www.georgesnydersbooks.com
And all those social and book networks.

 

       

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Thursday, August 8, 2013




 

JUST RELEASED—EBOOK AND PRINT—AT  AMAZON  AND  ALL  NET  BOOK   OUTLETS

 

THE FAREWELL HEIST

George Snyder

           

Benjamin Steele (Ben), our seasoned thief, is having an affair with Aubrey Blair; whose husband Jason has an $18K poker gambling debt to Ryan Silky, River Beach club owner. Silky hired Kurt Noland to forcefully collect from a list of heavy debtors, Jason at the top. Steele’s long time friend, Seth Tanker, wants Steele to head a heist of two million from oil exec, Price Sydney, retired judge, Aldrich Thorne, and Senator Mansfield Monroe. The money is being used to buy senator votes for added offshore drilling platforms. Demonstrators clutter downtown River Beach. The same night Steele breaks it off with Aubrey, Jason is killed in a foggy alley. Police suspect Ben Steele.

            Kurt Noland begins collection, forcefully using a mistress, wife, daughter—whatever is necessary to get the debt paid. With Jason dead, and Aubrey broke, Noland learns Jason was having an affair with Victoria (Vicki) Sydney, wife of oil exec, Price. He gets rid of Aubrey, plays with Vicki, collects money due and moves on. Then he learns from Ryan Silky about the political bribe money heist.    

            Steele, who wants out of the criminal life, is reluctantly in, despite the dysfunctional, screwed-up crew—cokehead April Lake; sickly Bart Wagoner; slow-witted Clem Krutsinger; driver Jerry Tucker, who has an ambitious wife, Yvette, who tells everything she knows from husband Jerry to her boyfriend, Wade Harley.

            Romance flourishes between Ben Steele and April Lake. The heist goes off, only Wade Harley and his pal, Bud, are waiting for the split. In a shoot-out, Harley and Bud get the money to the motel where Yvette waits, and helps herself to the cash. Kurt Noland has been following, and takes Yvette and the money to Silky, and torches his club, while Yvette and waitress friends Ava and Lois relieve the men of the money. After a double-cross, Ava takes the money from the girls who get it back then are chased by Ben Steele, who takes it from them. Noland kidnaps April Lake, who has been having a thing with Steele, to swap for the cash, and in a gunfight exchange, Ben Steele gets the money and the girl, and realizes you have to accept who you are.    

Contact: George Snyder




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Tuesday, August 6, 2013


EDITORS – GOOD AND BAD

 

          There has to be a reason for the phenomenal growth in self-publishing. One of many is that within the world of published novels, the publishing house is doing less and the writer is doing more. Yet, publishers think handing most marketing over to the writer still justifies taking 80% to 85% of the royalty share, plus 60% to 75% of the eBook cut.

          Writers have come up with a better idea.

          The stigma of early bad self-published books was well-deserved. Those of us who went the high-priced print mill route using I-Universe and Xlibris and these days Tate and Outskirts and the crooks at Author House, and far too many more to mention, can look back and see one reason for poor sales – bad books due to little or no editing, or worse, through self-editing. I retired as Senior Editor of Technical Publications from Boeing so I figured I could easily handle the editing chores for my five self-published books through Xlibris and I-Universe. I learned even a legitimate editor cannot objectively edit his/her own work. You need somebody from the outside. I also did the covers for those books, another big mistake.

          Publishers today expect an edited manuscript. Whether they’re entitled to the product of an outside editor while their editors do less, is open to argument. A writer is probably okay doing the editing if he/she goes through it line-by-line three or four times, or has a teacher-friend go over it. Not so if you self-publish. Then an outside editing source must be brought into play and the cover contracted out.

          Editors these days expect around $2 a page; times that by 330 pages and editing becomes expensive. Cover illustrator prices are all over the wall; some get two or three thousand dollars. I had an excellent cover made for one of my books on a bid by a starving Argentine artist. It cost $65 and I was happy with it. I intended to self-publish so knew I had to have a good cover. Turned out I found a publisher who insisted on doing their own cover so that was another block of cash diving for the sewer. Since I had the book outside edited, the publisher’s editor had little to correct. We were done in less than two weeks.

          A good editor can not only improve a book but can elevate a writer. Maxwell Perkins was a genius. He turned a good writer, Ernest Hemingway, into a Pulitzer, Nobel Prize winning great writer. Hemingway spent a lifetime showing his gratitude. There is no Maxwell Perkins today. If there is, he is way too expensive for regular writers and it is doubtful he works for a publisher.

          No question a bad editor can ruin a book. It has happened to many; it happened to me. The novel was eBook only, no print. One of those deals where the novel had to sell umpteen copies before it was allowed to go print. Never mind that the time in months or even years between eBook and print, readers would have long ago lost interest. Most books have a lifespan of interest. Some say it’s 30days, but for a minuscule number of books, the lifespan never ends. Ray Bradbury’s “Fahrenheit 451” published in 1953 has never been out of print. Same with Ayn Rand’s “Atlas Shrugged” published in 1957. In 2012 it sold half-a-million copies.  But most of us regular writers might get 30 days or less of interest to peddle our product.

          The publisher was in Canada, I was in California and the editor lived in London. Starting out, the cuts came frequent and deep. I kicked up a fuss but was down-voted by the publisher who always went with her editor. Six months it went back and forth, blazing emails from one to another. From an 89,000 word novel, 6,000 words were cut. The writing toned down to tear drops and toilet paper pabulum. Fans who knew my writing told me they couldn’t believe the book was mine, it didn’t read like I wrote it. I gave in with final approval under the condition that after a year all rights revert back to me. They said two years. So, as of December 2013, the book and its rights once again belong to me. I will add much of what was cut, self-publish as a New-Revised-Edition with Kindle Select for the eBook and Create Space for the print.

          How does a writer know if he/she has a good editor or a bad one. By reputation, but most likely, by guess and by golly. There are software programs that do line-by-line editing. It has been said they lack the human element. Well, the human element brings subjective opinion, so that might not be a bad thing.

          A good editor at reasonable cost can be priceless. Hope you find one.   

George Snyder

Contact:




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